Fred moten black and blur pdf

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fred moten black and blur pdf

Black and Blur : Fred Moten :

Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. If you continue browsing the site, you agree to the use of cookies on this website. See our User Agreement and Privacy Policy. See our Privacy Policy and User Agreement for details. Published on Jun 27, In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms.
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The Black Outdoors: Fred Moten & Saidiya Hartman at Duke University

Black and Blur – Fred Moten

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Use the link below to share a full-text version of this article with your friends and colleagues. Learn more. Volume 77 , Issue 2. The full text of this article hosted at iucr. If you do not receive an email within 10 minutes, your email address may not be registered, and you may need to create a new Wiley Online Library account. If the address matches an existing account you will receive an email with instructions to retrieve your username.

The book in question has many words but I am stuck on these two by sheer magnetic awkwardness. How the register abruptly shifts, the essay suddenly looking up to stare at the reader. How the pronoun cartwheels even as the interrogative tries to stay still. Fifteen years of essays gleaned from academic journals, exhibition catalogs, critical anthologies and miscellanea, the sentences here range wildly but also obsessively circle—musicology, Marx, the middle passage—getting at but decidedly not to a breathtaking glimpse of blackness. But I am not convinced it will work out. The essays encounter things in the world and do the work of criticism. But the book accumulates and undermines the distinction between essays.

Black and Blur. Fred Moten. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing. Not In Between. Interpolation and Interpellation.

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